I've spent the last few days in the studio with New Hampshire artist Amy Petty helping to navigate the production of her new record. I'm not sure if it's that I'm tired or that I'm getting my first dose of sunlight in what feels like months but something has me mulling over the process of record making. It's been a few years since the release of 'Mystery Keeps You'. Last Spring, Amy and I started toying with the idea of embarking on her second record. Directionally, our biggest concern was that the new record not be a remaking or re-inventing of 'Mystery'.
Fast forward almost a year, skip over the week I spent in New Hampshire wading through Amy's catalog of material to me sitting at my console, listening to
possibility. I'll be honest, here - making records from scratch takes a strong stomach. It's not a job for those uncomfortable with uncertainty and being uncomfortable. Even after steering dozens of records to completion, I
still find the process a bit unnerving.
While a great amount of care is taken to select and then tweak the source material (songs) , each tune must still endure quite a bit to reach completion. The right part, played by the right instrument, performed by the right player, captured by the right microphone positioned at just the right place all impact the end result. A well written song aside, the above things are what make or break a song's ability to elicit an emotive response from the listener.
At the end of the day, about all that comforts my record making anxiety is the team of people surrounding me. I am at best, an average musician with a few good ideas. My strength has always been in surrounding myself with amazing musicians; selfless players that aspire to make great, emotive records. I like to call them all 'ultimate character actors' in that while each of them is brilliant, skilled and accomplished in their own right, they choose to play whatever roll necessary to further
the story. They truly play for the song.
Beyond their art, they are all easy people. As session drummer Joe Meyer told me once: "We make records here. If you are here, the expectation is that you can play. From there it's all about donuts and coffee. Can you sit and make your client feel at ease and as if everything is under control? Can you hang?"
Instead of trying to remove discomfort from the process, my new goal is to get more comfortable being uncomfortable. After all, great art is born at the fray of normalcy; reaching into the unknown is always a bit scary. And too, have the courage to let other people (the right people) into the process. It's difficult to create something new and other worldly when creating in a vacuum. And most important (most obvious and often overlooked) let the team know and feel their value.
It's an honor and a privilege, guys. It really is.
Just this last weekend, I started work on a record with pianist and songwriter Chris Walters. Chris has a long, long pedigree playing for all sorts of music greats which reads something like this :
New Orleans born pianist Chris Walters has resided in Nashville since 1989, moving from New York to serve as music director for country music legend Barbara Mandrell until her retirement in 1997. He then joined the group Alabama, touring and recording with them through 2004. When not touring with his own band, Chris performs and records as the keyboardist with various artists, including the Jeff Coffin Mu’tet and Peter Mayer. He's performed with the Nashville Symphony Orchestra and recorded the soundtrack for a documentary film scored by Bela Fleck. #
Also involved with this record in the producer role is my dear friend R. Scott Bryan. Our first day yielded great results with more to come soon. I'll will get some audio up as it's available - for now visit Chris, here.
Please visit me on one of my many sites:
http://www.jacobdetering.com
http://myspace.com/jacobdetering
Best,
J.
If your memory servers you well, you might recall a blog I wrote several months ago about a record I was working on for singer/songwriter, multi-instrumentalist R. Scott Bryan. For those of you that don't know about R. Scott Bryan - you should. Over the last decade or so, Scott has shared both stage and studio with a very, very impressive list of 'A-listers' such as Petery Mayer, Mac McManally, Russ Kunkell, Levon Helm not to mention a long stent as utility player Sheryl Crow.
After a year plus in the works, Scott and I have put the finishing touches on his second full length release entitled 'It's Your Life'. The record features brilliant songwriting as well as Scott's ability to play a wide range of instruments namely percussion and Hammond B3 Organ. 'It's Your Life' also offers stellar supporting performances by Drummers Joe Meyer, Dennis Stringfield, Grover Stewart, Pianist David Aholt and saxophonist Jim Stevens. I produced, played, engineered and mixed the record which was mastered by my dear friend and mentor M. Brad Sarno at Blue Jade Audio Mastering.
Given Scott's history and pedigree in this business, working on this record was a real honor and priviledge. 'It's Your Life' will be released by Lauren Markow and me on the Red Pill label and will be available for purchase the first week of December via iTunes with hard copies available at Nimbit and CDBaby. Grab your copies and spread the word - thanks for supporting independent music.
R. Scott Bryan. Man. Myth. Legend.
I mentioned several months ago that I've been working on a new recording for singer/songwriter and all around 'I can play anything-er' R. Scott Bryan. Fact, I think I remember even telling you that the 'R' in his name stands for Roy. I did tell you that didn't I?
I wanted to give you all an update on the recording as we actually have audio for your review posted and available for you listening pleasure. At this point in time, the record is about 76.4% done with five tunes tracked, mixed and released in a promotional EP format. We have several other tunes heavily under construction - which should be all wrapped up shortly.
A few days ago - Scott calls me bustling with excitement about a new tune fresh off the press. The tune is entitled 'It's Your Life'. A song about taking life as it comes - accepting all things; Life's blessings and hardships. It's an interesting tune in that the arrangement and recording of the song thus far has been very stark and simple - very dark in moments with subtle lift in others.
I digress.
I'd love for you to take the time to listen to some of the new record. Tho I have a few tunes on my myspace and facebook pages, you'd be better served by visiting Scott here.
I've spent the last few days in the studio with New Hampshire artist Amy Petty helping to navigate the production of her new record. I'm not sure if it's that I'm tired or that I'm getting my first dose of sunlight in what feels like months but something has me mulling over the process of record making. It's been a few years since the release of 'Mystery Keeps You'. Last Spring, Amy and I started toying with the idea of embarking on her second record. Directionally, our biggest concern was that the new record not be a remaking or re-inventing of 'Mystery'.
